Fantasia ’22 review: The “Born of Woman” and “Small Gauge Trauma” short films
Both lineups offered especially intriguing, consistently engrossing and sometimes quite frightening slices of horror, science fiction, fantasy and general weirdness.
TIFF ’22 Movie Review: “THE MENU” is a Lot of Sizzle Without the Steak
Mark Mylod's biting black comedy is a delicious trifle but far from a main course.
TIFF ’22 MOVIE REVIEW: Kevin Williamson Makes an Incredible Return to Form with “SICK”
The SCREAM scribe cuts to the bone with an effective new slasher directed by John Hyams.
Movie Review: The new “GOODNIGHT MOMMY” is the original’s less evil twin
It has been significantly watered down from its nerve-wracking predecessor.
Movie Review: “PEARL” gives Mia Goth another chance to shine
The mix of empathy and tension in West’s filmmaking and Goth’s acting makes it both a worthy follow-up to X and a compelling psychochiller in its own right.
