ON THE EDGE believes it’s subversive – using BDSM sexplay as a way to find emotional healing. However, its lack of a firm point of view leads the quasi-erotic-thriller into dangerously problematic territory.
Fear flicks explored all kinds of interesting and intense avenues this year, finding new ways to address classic subjects and ranging from quiet to in-your-face.
Giallo influences combine with Lynchian surrealism in Travis Stevens' (Girl on the Third Floor, Jakob’s Wife) Shudder Original A WOUNDED FAWN.
Fans of David Harbour’s work on STRANGER THINGS will be particularly sated by his arc here.
The Norwegian monster epic demonstrates that familiar beats can still be fun.
