Movie Review: Shyamalan’s “KNOCK AT THE CABIN” is worth answering
It has a terrific setup that establishes plenty of dramatic conflicts and questions.
Movie Review: Cosmic Horror and Found-Footage Collide in “THE OUTWATERS”
What starts off as an attempt to resurrect the naturalistic found-footage style of sub-genre giant The Blair Witch Project, disintegrates into a bloody waking nightmare for a group of friends who travel into the Mojave desert to film a music video in THE OUTWATERS.
Movie Review: Muddled chiller gives you little to “FEAR”
Taylor can’t seem to figure out what kind of fears he wants to focus on: the very modern anxieties engendered by the pandemic or the more prosaic kinds to be exploited by supernatural agents.
Sundance ’23 Movie Review: Brandon Cronenberg’s “INFINITY POOL” is some perversely original IP
Even given the graphic excesses of his prior work, this is Cronenberg’s most explicit, extreme vision yet.
Movie Review: “GHOSTS OF MONDAY” Is Atmospheric But Misses the Mark
Jam-packed with genre tropes, the new supernatural thriller starring Julian Sands is an atmospheric but confusing mess.
