MOVIE REVIEW: “CHILDREN OF THE CORN” is A Merciless Display of Parricide for a New Generation
Writer-director Kurt Wimmer's take on Stephen King's classic short story adheres to the spirit, if not the letter, of its source material.
Writer-director Kurt Wimmer's take on Stephen King's classic short story adheres to the spirit, if not the letter, of its source material.
Owen Conway's flawed horror western isn't completely unwatchable, but it is nearly unenjoyable.
If it remains, in the end, little more than a well-polished B-picture, it’s also blessedly free of the distractions that weighed down JURASSIC WORLD: DOMINION.
The filmmakers have the SCREAM formula down cold by this point, and the skill to keep the proceedings from playing like formula.
THE WELDER falters on nearly every front. Whatever social commentary it attempts to offer about racism and mental health issues is derailed by Vincent De Paul’s wooden portrayal of a vengeful mad scientist conducting nonsensical “welding” experiments on his victims.