Movie Review: In “ALTERED PERCEPTIONS,” cultural demons come home to roost
Jorge Ameer’s ripped-from-the-headlines dystopian intergalactic supernatural thriller feels far too relevant.
Movie Review: “MALUM” can’t live up to director’s original “LAST SHIFT”
While LAST SHIFT thrived on dead space and longer sequences of tension-building, MALUM cuts right to the point, over-explaining and muddling up plot points that worked best when left ominous and implied.
Movie Review: Queer Hilarity Abounds in Gay Ghost Story “SUMMONING SYLVIA”
A hundred years ago a murderous woman named Sylvia killed her son in cold blood; it’s said that both Sylvia and her dead boy continue to haunt the dusty walls of this really fabulous Airbnb, which, of course, leads to an instantly-iconique séance (how could it not?)
Panic Fest ’23 Movie Review: World Premiere “BLACK MOLD” Will Grow On You
While exploring a decrepit and abandoned facility, an auspicious photographer faces off against her traumatic past in John Pata's BLACK MOLD.
Movie Review: “RENFIELD” gets most of its bite from Nicolas Cage
Yet Dracula sometimes seems on the verge of being crowded out of the movie.
