Movie Review: “SCREAM VI” draws fresh blood slicing the Big Apple
The filmmakers have the SCREAM formula down cold by this point, and the skill to keep the proceedings from playing like formula.
The filmmakers have the SCREAM formula down cold by this point, and the skill to keep the proceedings from playing like formula.
THE WELDER falters on nearly every front. Whatever social commentary it attempts to offer about racism and mental health issues is derailed by Vincent De Paul’s wooden portrayal of a vengeful mad scientist conducting nonsensical “welding” experiments on his victims.
It’s no small achievement that Okumura and co. make UNSEEN a cohesive whole while intertwining a pair of plotlines with widely varying tones.
Shot in the hills of Scotland, from British filmmaker Christopher Smith (Triangle, Black Death), CONSECRATION spins the traditional possession tale on its head by suggesting that the nature of the entity itself is not evil, but instead a source of immense power for the possessed.
Some novel ideas and excellent performances are derailed by poor execution in this latest excursion into the venerable living dead subgenre.