A hundred years ago a murderous woman named Sylvia killed her son in cold blood; it’s said that both Sylvia and her dead boy continue to haunt the dusty walls of this really fabulous Airbnb, which, of course, leads to an instantly-iconique séance (how could it not?)
While exploring a decrepit and abandoned facility, an auspicious photographer faces off against her traumatic past in John Pata's BLACK MOLD.
Yet Dracula sometimes seems on the verge of being crowded out of the movie.
Like many films that put a new spin on a traditional subject, it doesn’t spin that fresh take far enough.
ADALYNN is an easy psychological thriller to invest in; a willingness to comment on mental health and the effects of childbirth creates a compellingly realistic set of stakes. There are leaps in logic as it draws to a conclusion, but there are plenty of exciting twists and turns to be found in this demented little feature.
