Movie Review: “THE FIRST OMEN” has its holy terrors, even if it isn’t wholly surprising
It’s a commendably serious-minded attempt to elicit suspense out of a scenario whose very existence makes its final act a foregone conclusion.
It’s a commendably serious-minded attempt to elicit suspense out of a scenario whose very existence makes its final act a foregone conclusion.
It finds consistently intriguing and frequently frightening ways to both personalize the scenario and take it in unexpected directions.
The musical adaptation of Mitchell Lichtenstein's 2007 film is a subversive, funny and thought-provoking look at sexual politics and religion.
Diane Foster's directorial debut is an unexpected holiday horror delight.
It’s constantly in a rush to get to the next scene, with little attention paid to developing suspense or awe or grandeur.