Movie Reviews: Takashi Miike’s “LUMBERJACK THE MONSTER” and Xavier Gens’ “UNDER PARIS” hit Netflix
Both films find their directors working in more mainstream mode than usual, and than their admirers would probably hope for.
Both films find their directors working in more mainstream mode than usual, and than their admirers would probably hope for.
Nostalgia and the new flesh get memberships at Blaster Video for a night of Canuxploitation carnage.
This is one supernatural storage war you don't want any part of.
I SAW THE TV GLOW is unnerving and disarming. It gets under the skin, and it is a welcome disruption.
It represents the filmmakers asking you to pay full theater admission price for what is essentially a 91-minute prologue for the next two movies.