CUFF ’24 REVIEW: AMBITIOUS DEBUT “THE BLUE ROSE” WITHERS UNDER ITS OWN INFLUENCES
Eighteen-year-old filmmaker George Barron's surreal first feature is a stylish but flawed David Lynch pastiche.
Movie Review: “TAROT” isn’t playing with a full deck
A subject that could be adapted in all kinds of intriguing ways is reduced to a hopelessly formulaic youth-in-peril flick.
CUFF ’24 REVIEW: VAMPIRIC FANTASY “THE VOURDALAK” IS WORTH LETTING IN
Filmmaker Adrien Beau pays homage to the look and style of '70s horror in this deliberately paced folkloric thriller.
Movie Review: ANTHOLOGY HORROR FILM “BEWARE THE BOOGEYMAN” IS CONSISTENTLY CHEAP
BEWARE THE BOOGEYMAN is an good-natured attempt at resurrecting the portmanteau horror film, but good intentions are sadly undermined by low budget and lack of variety.
CUFF ’24 REVIEW: GENRE-BLENDING “OMEN” CONJURES A MAGICAL REALITY
Director Baloji's new film evokes spirituality and surrealism while exploring Congolese cultural beliefs.
