Fantasia ’25 Movie Review: Giallo gets scrappy in “ANYTHING THAT MOVES”
Phillips builds on his visual style and storytelling skills and delivers a film more accessible, more polished and more naked (literally) than before.
Phillips builds on his visual style and storytelling skills and delivers a film more accessible, more polished and more naked (literally) than before.
The way the filmmakers manipulate perspective and empathy from one segment to the next is remarkably skillful.
Many sequences require listeners to strain their ears to make out clues, and in doing so open themselves up to a new type of horror-movie experience.
The short film showcase once again proves that women in horror are a force to be reckoned with.
It feels like a valentine to the genre as a whole, and has a bit of fun with all of its attendant tropes and creatures.