Movie Review: “THE STRANGERS–CHAPTER 1” does not encourage further viewing
It represents the filmmakers asking you to pay full theater admission price for what is essentially a 91-minute prologue for the next two movies.
CUFF ’24 REVIEW: “PROPERTY” SHOWCASES A GRIPPING DIVIDE BETWEEN THE CLASSES
Brazilian filmmaker Daniel Bandeira explores the horrors of the economic divide in this tense, socially conscious thriller.
CUFF ’24 REVIEW: AMBITIOUS DEBUT “THE BLUE ROSE” WITHERS UNDER ITS OWN INFLUENCES
Eighteen-year-old filmmaker George Barron's surreal first feature is a stylish but flawed David Lynch pastiche.
Movie Review: “TAROT” isn’t playing with a full deck
A subject that could be adapted in all kinds of intriguing ways is reduced to a hopelessly formulaic youth-in-peril flick.
CUFF ’24 REVIEW: VAMPIRIC FANTASY “THE VOURDALAK” IS WORTH LETTING IN
Filmmaker Adrien Beau pays homage to the look and style of '70s horror in this deliberately paced folkloric thriller.
