Fantasia ’24 Movie Review: “SHELBY OAKS” is an unnerving place to visit
The filmmakers establish a convincing, intriguing reality with ominous overtones, making us anxious to find out “Who took Riley Brennan?”
Movie Review: “ODDITY” is an uncommonly good mix of occult and human horrors
One of the fun/scary things about ODDITY is the way McCarthy blends a few different kinds of horror…and keeps you guessing about which will come to the forefront.
Movie Review: Don’t let “LUMINA” abduct two hours of your life
The aliens resemble escapees from a video game–an early video game. Yet they’re no less artificial than the dialogue spoken by the leads.
MOVIE REVIEW: “PRINCETON’S IN THE MIX” Is Sharp In All The Right Ways
Jonathan DiMaio's new festival-favorite short is a delightfully dangerous and profoundly subversive satire about college admissions, acceptance rates and garbage disposal.
Movie Review: “MAXXXINE” is a mixxxed bag
There’s so much going on around Maxine…that she doesn’t get to make the kind of front-and-center impact that Goth had as Maxine/Pearl in X and the latter role in PEARL.
