Movie Review: Shyamalan’s latest falls into the “TRAP” of contrivance
TRAP quickly becomes one of those thrillers whose plotting depends on convenience rather than cleverness.
TRAP quickly becomes one of those thrillers whose plotting depends on convenience rather than cleverness.
From the beginning, HELL HOLE is quite clearly the work of distinctive, idiosyncratic filmmakers.
FRANKIE FREAKO is the latest oddity to crawl out of filmmaker Steven Kostanski’s delightfully twisted brain.
KRYPTIC blends a search for self with a search for cryptids.
It demonstrates the pitfalls of putting the metaphor before the monster, so to speak.