News
An extensive documentary on the perils and pleasures of independent filmmaking, with an emphasis on horror and interviews with a…by Michael Gingold
BENEATH US takes a long hard look at what can happen when the gap between races and classes becomes so…by Deirdre Crimmins
Prolific Japanese artist Yoshiki Takahashi, who scripted Sion Sono’s acclaimed psychothriller COLD FISH, is making his directorial debut on a…by Michael Gingold
Severin Films, producer of the excellent documentary BLOOD & FLESH: THE REEL LIFE AND GHASTLY DEATH OF AL ADAMSON, is…by Michael Gingold
The long-in-the-works film version of the hit video game series is finally going forward with the HOSTEL honcho at the…by Michael Gingold
Love leads a man into a world that worships death in SUNSET ON THE RIVER STYX, which has its world…by Michael Gingold
The pioneering Brazilian horror filmmaker/actor has died at age 83.by Michael Gingold
After playing over 30 festivals including Sitges, Fantasia, SXSW and FrightFest, GAME OF DEATH will see wider release later this…by Michael Gingold
One of the more talked about films of late, a Korean movie called Parasite, capped off its great run last…by kleurvision
Independent horror filmmaker Jeff Dunn got in touch to give RUE MORGUE the first look at the trailer for his…by Michael Gingold
Veteran Dutch genre director Dick Maas (THE LIFT, AMSTERDAMNED, SAINT) jumped into the killer-animal genre with a movie originally known…by Michael Gingold
Continuing its relationship with Toho International, genre merch and apparel specialist Mondo is hosting a monster-sized exhibition of kaiju art…by Michael Gingold
One of the most acclaimed adaptations of Mary Shelley’s novel is getting a hi-def disc showcase, and the complete details…by Michael Gingold
This year, RUE MORGUE is honoured with nominations in five categories, including BEST MAGAZINE, BEST ARTICLE, BEST INTERVIEW, BEST COLUMN,…by Andrea Subissati
Troubling real-life concerns become genuine horror in M.O.M.: MOTHERS OF MONSTERS, which sees release next month and has had its…by Michael Gingold