An “At The Drive-In” Watchlist By MARK PARISELLI As the COVID-19 pandemic persists and audiences remain wary of returning to cinemas, drive-in theatres have made a comeback. Presenting everything from film screenings, to concerts to drag performances,...
LIN SHAYE Talks “THE CALL,” New Horror, And More! By JOSHUA “Prometheus” SCAFIDI In the fall of 1987, a group of small-town friends must survive the night in the home of a sinister couple after a tragic accident occurs in THE CALL. Needing only to make a single phone...
When Despair Meets Hope: Framing “THE TEXAS CHAIN SAW MASSACRE” in 2020 By JULIEANN STIPIDIS Blumhouse’s Halloween (2018) and Nia DaCosta’s forthcoming Candyman (2021) are not only part of horror’s new direct-sequel-from-the-original mini-movement; they’re vehicles...
Salem Horror Fest ’20 Review: “THE WITCHES OF HOLLYWOOD” Casts An Empowering, Enlightening Spell By RACHEL REEVESDirected by Sophie PeyrardWichita Films Whether buried in subtext or lying clear as day on the surface, sociopolitical factors and sentiments are often...
Fantastic Fest ‘20 Review: “THE STYLIST” Is A Sharp Story With Even Sharper Performances By RACHEL REEVESStarring Brea Grant, Najarra Townsend and Sarah McGuireDirected by Jill GevargizianWritten by Jill Gevargizian, Eric Havens and Eric StolzeClaw Productions Back in...
