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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Rue Morgue Manor
“The Breach” sci fi horror from Nick Cutter and Rodrigo Gudiño gets a North American release date
Trinity Creative Partnership and Raven Banner have announced the release of gory, cosmic horror THE BREACH to North American audiences…
by
Rue Morgue Manor
Movie Review: Evan Marlowe’s “ABRUPTIO” Prizes Craft Over Content
While ABRUPTIO joins the ranks of human puppet films, there is one trait that makes it stand apart from the…
by
Rue Morgue Manor
NOW ON RUE MORGUE TV: Andrea chats with “CALVAIRE” director Fabrice du Welz
n this exclusive interview, Executive Editor Andrea Subissati speaks candidly with the filmmaker behind the brutal 2004 French New Extremity…
by
Rue Morgue Manor
CUT-THROAT WOMEN TO BE REDESIGNED WITH KICKSTARTER BACKING
With the help of donations from a Kickstarter launched in April, this database of women working in horror films aims…
by
Rue Morgue Manor
NOW ON RUE MORGUE TV: ALEX WEST PACKS HER BAGS FOR 2009’s “THE FINAL DESTINATION”
Alex prays for death while watching a much-maligned entry in the 2000s franchise.
by
Rue Morgue Manor
PSYCHO-BIDDY BLOWOUT: A HAGSPLOITATION PRIMER
Mature women only have one thing on their minds… Murder!
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Rue Morgue Manor
SALEM HORROR FEST ’23 MOVIE REVIEW: FOLK HORROR AND QUEER INCLUSIVITY COLLIDE IN “SAINT DROGO”
The team behind DEATH DROP GORGEOUS drops the camp for a serious tone in their latest horror feature.
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Rue Morgue Manor
Salem Horror Fest ’23 Movie Review: Sisters Endure The Jinn Possession of Pakistani Folklore In K/XI’s “MAYA”
Written, directed, and edited by K/XI, MAYA tells a refreshingly unique jinn-based possession story rooted in Pakistani culture and the…
by
Rue Morgue Manor
Now on RUE MORGUE TV! Yes, “FRIGHT NIGHT PART 2” Is Awesome
In this all-new edition of THE REWIND ZONE, Yasmina draws blood in defense of an underrated sequel.
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Rue Morgue Manor
CALGARY UNDERGROUND FILM FESTIVAL ’23 REVIEW: PANDEMIC HORROR “THE ELDERLY” DEPICTS A THOROUGHLY MODERN APOCALYPSE
Spanish shocker succeeds as a modern parable yet misses the mark as an effective horror movie.
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Rue Morgue Manor
CALGARY UNDERGROUND FILM FESTIVAL ’23 REVIEW: “CULT HERO” PACKS HUMOR AND HEART
Jesse Thomas Cook's new feature is that rarest of beasts – a horror comedy that works.
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Rue Morgue Manor
CALGARY UNDERGROUND FILM FESTIVAL ’23 REVIEW: “SATAN WANTS YOU” IS A TERRIFYING TALE OF EGO RUN AMOK
Documentarians Steve J. Adams and Sean Horlor dive deep into how the 1980 book "MICHELLE REMEMBERS" fueled an era of…
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Rue Morgue Manor
CALGARY UNDERGROUND FILM FESTIVAL ’23 REVIEW: WITCHY “NIGHTSIREN” USES ALLEGORY TO QUESTION THE PATRIARCHY
Filmmaker Tereza Nvotová weaves a spellbinding tapestry of feminist folk horror.
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Rue Morgue Manor
CALGARY UNDERGROUND FILM FESTIVAL ’23 REVIEW: “THE ARTIFICE GIRL” IS A MOVING PORTRAYAL OF ETHICAL QUANDARY AND HUMAN FALLIBILITY
Director Franklin Ritch crafts a deep, intimate sci-fi thriller.
by
Rue Morgue Manor
CALGARY UNDERGROUND FILM FESTIVAL ’23 REVIEW: “BIRTH/REBIRTH” DOESN’T REANIMATE ITS SUBGENRE
Filmmaker Laura Moss' take on mad scientist tropes lacks the spark of life.
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Rue Morgue Manor
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