Michael Gingold

They’ve got a black magic woman, and her devilish powers live on after her demise.

It’s among the year’s creepiest and most resonant achievements in the horror genre.

It’s the latest film to layer supernatural fear atop the usual pregnancy concerns.

Fans of David Harbour’s work on STRANGER THINGS will be particularly sated by his arc here.

The Norwegian monster epic demonstrates that familiar beats can still be fun.