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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
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Michael Gingold
Exclusive interview: Filmmaker Osgood Perkins on birthing “THE BLACKCOAT’S DAUGHTER”
The latest slow-burn horror sensation is writer/director Osgood Perkins’ THE BLACKCOAT’S DAUGHTER, which chilled audiences to the bone at multiple…
by
Michael Gingold
Exclusive interview: Marta Mazurek on her amorous, murderous mermaid in “THE LURE”
Currently playing select theatrical dates around the country (it next opens in Los Angeles and Ithaca, NY on Friday), Agnieszka…
by
Michael Gingold
Exclusive Interview: Writer/director Jordan Peele on the outsider horror of “GET OUT”
For most of the 2000s, Jordan Peele has been making us laugh as an actor, and now he’s about to…
by
Michael Gingold
Exclusive Interview: Director Agnieszka Smoczynska on the allure of “THE LURE”
Currently playing in New York City and heading to more cities in the coming weeks (see schedule below), THE LURE…
by
Michael Gingold
Movie Review: “SADAKO VS. KAYAKO” has a familiar ring
It doesn’t offer much that’s fresh, and the promised battle royale between ghost girls is a letdown.
by
Michael Gingold
Exclusive clip: Mermaid murder in “THE LURE”
This little mermaid is no Disney character: She hungers for both love and human flesh in THE LURE, which begins…
by
Michael Gingold
Sundance Movie Review: “78/52” cuts deep into the legend of “PSYCHO”
The pitch on the documentary 78/52 is that it’s an in-depth exploration of the shower scene in Alfred Hitchcock’s PSYCHO,…
by
Michael Gingold
Exclusive teaser and filmmaker comments: Telephonic terror in “CLOSE CALLS”
We previously told you about the upcoming indie chiller CLOSE CALLS, and now we’ve got the exclusive first look at…
by
Michael Gingold
Movie Review: Stick a “PITCHFORK” in it, it’s been done
Debuting director Glenn Douglas Packard has a background as an Emmy-winning choreographer—which might explain why PITCHFORK is the same old…
by
Michael Gingold
Scary “CLOSE CALLS” in new indie chiller; first news, poster
P.J. Starks, producer of the VOLUMES OF BLOOD anthologies, got in touch with the first details and the latest poster…
by
Michael Gingold
Monster Fest ’16 Movie Review: “PLAYGROUND” isn’t kidding around
Polish genre film is certainly having one hell of a year. From the archetypically murderous mermaid musical THE LURE to…
by
Michael Gingold
Brooklyn Horror Fest ’16 Review: The award-winning, engrossing mind-messer “WITHOUT NAME”
A few years back, a marvelously atmospheric horror short called FOXES played the festival circuit, showcasing a pair of burgeoning…
by
Michael Gingold
Fantasia/Frontières Exclusive: Jenn Wexler and Larry Fessenden talk punks-vs.-maniac movie “THE RANGER”
During this summer’s Frontières International Co-Production Market at Montreal’s Fantasia festival, RUE MORGUE got the chance to chat with several…
by
Michael Gingold
Fantasia ’16 Movie Review: “WE GO ON” into seriously spooky territory
A scary and imaginative take on seeing dead people.
by
Michael Gingold
Fantasia ’16 Review: Jump aboard “TRAIN TO BUSAN,” and hang on!
It’s like Korea’s WORLD WAR Z, and it knocks the American one on its ass.
by
Michael Gingold
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