Michael Gingold
We’ve all jumped while watching a “screamer” video on-line, and now a full feature aims to scare you with the…by Michael Gingold
An Australian horror film starring GHOST STORIES’ Martin Freeman, from a producing team including THE BABADOOK’s Kristina Ceyton and Jeff…by Michael Gingold
This self-proclaimed “first-ever stoner slasher” demonstrates an admirable willingness to go beyond trope…if, alas, with somewhat mixed results.by Michael Gingold
Turkish director Can Evrenol first horrified international audiences with his 2015 film BASKIN, and he’s now set to do the…by Michael Gingold
Monsters and fiends from many decades will be showcased at the 2018 Salt City Horror Fest next month in upstate…by Michael Gingold
The evil-clown chiller TERRIFIER showcases a series of very gruesome slayings by its costumed and face-painted villain, but one stands…by Michael Gingold
Debuting next week, a new indie horror feature proves you can find A PLACE IN HELL even during the coldest…by Michael Gingold
Seekers of ghosts uncover a demon instead in WITHIN THE DARKNESS, set for release next week. We’ve got an exclusive…by Michael Gingold
At the Boston Underground Film Festival last weekend, RUE MORGUE spoke with Rory Abel, whose short HAPPY BIRTHDAY, BRENDA (pictured)…by Michael Gingold
After a driller killer and a female vigilante, Abel Ferrara turned vampires loose in New York City in 1995’s THE…by Michael Gingold
The director of WE ARE STILL HERE explores the dark side of American history in his follow-up film MOHAWK, which…by Michael Gingold
The only scary thing about AGAINST THE NIGHT is that it proves even the most underachieving let’s-go-check-out-the-haunted-place flick can achieve…by Michael Gingold
Director Ryuhei Kitamura, whose credits include VERSUS, GODZILLA: FINAL WARS and THE MIDNIGHT MEAT TRAIN, has helmed perhaps his most…by Michael Gingold
UNSANE, the Steven Soderbergh psychothriller that opened Friday, features as its villain Joshua Leonard, whose horror résumé stretches back to…by Michael Gingold
This movie comes on like the I SPIT ON YOUR GRAVE remake we should have gotten, with forceful, blood-and-thunder filmmaking…by Michael Gingold