MOVIE REVIEW: “BRAID” IS LESS A MOVIE AND MORE A VANITY PROJECT
BRAID is less a film and more a vanity project. It’s the very reason people scoff when they hear the term “arthouse” used when describing a motion picture.
BRAID is less a film and more a vanity project. It’s the very reason people scoff when they hear the term “arthouse” used when describing a motion picture.
Where LASSO could’ve been a horror-hybrid spectacle worthy of repeat viewing, it unfortunately chooses to tighten its noose around the slowest, weakest member of the herd while leaving the best concepts to escape the corral.
CHRISTMAS BLOOD does scratch a gorehound's itch for merciless slaughter, but won’t keep the pack salivating beyond a beer-binging rental.
A horror film bereft of originality or reason; developed by filmmakers who had no idea how to reap the benefit of such a superbly gloomy locale.
For those that appreciative their flicks raw and uncompromising, DRAGGED ACROSS CONCRETE isn’t just unforgettable, but the kind of movie you depart from with some road rash yourself.