SCREAMFEST LA 2019 REVIEW: “EVIL DEAD” MEETS “REAR WINDOW” IN THE PIERCE BROTHERS’ “THE WRETCHED”
It’s REAR WINDOW through the grue-smeared lens of EVIL DEAD. And for the most part, it succeeds in both cinematic arenas
“WOUNDS”, SOSKA SISTERS’ “RABID” AND “SHE NEVER DIED” HIGHLIGHT HOLLYWOOD’S 2019 SCREAMFEST
SCREAMFEST runs from October 8 - 17 so if you dig cast/crew Q&As, magnificently macabre parties and witnessing the gnarliest new horror on the block—get your tickets now!
MOVIE REVIEW: FRANCK KHALFOUN’S “PREY” IS AS UNIMAGINATIVE AS ITS TITLE
Considering the extortionate amount of films generically called “Prey”, it’s unfortunate that Franck Khalfoun’s newest endeavor live up to the banality of such an overused title.
MOVIE REVIEW: TRUTH IS BLANDER THAN FICTION IN BIGFOOT FLICK “HOAX”
HOAX is a creature feature that attempts some respectable misdirection, but falters in its lusterless execution.
MOVIE REVIEW: AMBITIOUS INDIE EFFORT “THE HEAD HUNTER” SPILLS MORE AMBIENCE THAN IT DOES BLOOD
THE HEAD HUNTER is an out-of-nowhere horror film with a head full of artistic aspirations that proves a vision can be made manifest when the right people are so committed to bringing it to life.
