This week in the Sematary: We move to Netflix with 2017's "IT COMES AT NIGHT," a devastatingly nihilistic film with striking parallels to our current crisis.
A harried, grubby and quietly cruel slice of Canadian post-apocalyptica.
The third game in 4A Games' Metro series features some breathtakingly gorgeous post-apocalyptic action, but how does it compare to previous entries? Games Editor Evan Millar reviews.
Bruno Mattei's 1984 creature feature sees the squeak inherit the Earth.
THE DOMESTICS is obvious in its influences and may not reinvent the wheel, but it sure as hell wraps it in bloody chains, lines it with bladed rims and sends it flaming down a hill paved with determined intention.