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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Mickey Keating
Tribeca ’26 Movie Review: In “CROOKS,” Mickey Keating goes from noir to nasty
The trappings may be familiar, but the people collide in unexpected ways, and Keating keeps both the dialogue and the…
by
Michael Gingold
Movie Review: Suburban nightmare “INVADER” shakes you up
It will keep responsive audience members jumpy and tense for the duration of the brief runtime.
by
Michael Gingold
Mickey Keating’s “INVADER” invades Alamo Drafthouses next month; trailer and poster
The director of OFFSEASON, CARNAGE PARK and DARLING now brings the horror home.
by
Michael Gingold
Shudder Reveals New Clip for “OFFSEASON,” Premiering June 10
The world's premier horror streaming service unleashes a creepy clip from Mickey Keating's supernatural shocker.
by
William J. Wright
Mickey Keating’s “OFFSEASON” coming to Shudder in June
Mickey Keating's chilling island thriller, "OFFSEASON" will air exclusively on Shudder!
by
William J. Wright
Mickey Keating’s eerie “OFFSEASON” now has a time for release
Now you can prepare to make a trip to a very creepy island.
by
Michael Gingold
SXSW ’21 Movie Review: “OFFSEASON” is a frightening place to visit
It will make you think twice about getting back to taking road trips.
by
Michael Gingold
Exclusive Interview: Mickey Keating, Larry Fessenden and Ashley Bell Talk “PSYCHOPATHS”
It’s likely you haven’t seen as many different kinds of insanity in one film as you have in PSYCHOPATHS, which…
by
Michael Gingold
Tribeca ’17 Movie Review: A world gone mad in Mickey Keating’s “PSYCHOPATHS”
Rising horror director Mickey Keating has been exploring insanity for his last few films, and after the monochromatic psychodrama of…
by
Michael Gingold