MOVIE REVIEW: “BRAID” IS LESS A MOVIE AND MORE A VANITY PROJECT
BRAID is less a film and more a vanity project. It’s the very reason people scoff when they hear the term “arthouse” used when describing a motion picture.
MOVIE REVIEW: “LASSO” NEARLY HOGTIES ITSELF WITH THE WORST POSSIBLE PROTAGONIST
Where LASSO could’ve been a horror-hybrid spectacle worthy of repeat viewing, it unfortunately chooses to tighten its noose around the slowest, weakest member of the herd while leaving the best concepts to escape the corral.
MOVIE REVIEW: “DRAGGED ACROSS CONCRETE” WILL GIVE YOU ROAD RASH
For those that appreciative their flicks raw and uncompromising, DRAGGED ACROSS CONCRETE isn’t just unforgettable, but the kind of movie you depart from with some road rash yourself.
MOVIE REVIEW: FLAGRANT IMITATION GOES VIRAL IN “E-DEMON”
E-DEMON follows the gamut of cliché with pentagrams, anti-Christ jargon, unrealistic reactions and lots of people screaming – none of it the least bit frightening but all of it thoroughly ridiculous.
Movie Review: “GOOD MANNERS” is a werewolf movie about class, race and Sexuality… with musical numbers
GOOD MANNERS is a film that actively strives to make viewers uncomfortable — in its subject matter, in its insistence on moving from genre to genre, and in its meditative approach to the trials and tribulations of werewolf parenting.
