MOVIE REVIEW: “DRAGGED ACROSS CONCRETE” WILL GIVE YOU ROAD RASH
For those that appreciative their flicks raw and uncompromising, DRAGGED ACROSS CONCRETE isn’t just unforgettable, but the kind of movie you depart from with some road rash yourself.
MOVIE REVIEW: SHIP THE COPYCAT “[CARGO]” BACK TO SEA
To call [CARGO] simple is to undermine the word “simple”. It’s less than that. It’s a single-location film equivalent to BURIED, PHONE BOOTH or LOCKE, but with zero ambition and unconditionally misguided.
Movie Review: “GOOD MANNERS” is a werewolf movie about class, race and Sexuality… with musical numbers
GOOD MANNERS is a film that actively strives to make viewers uncomfortable — in its subject matter, in its insistence on moving from genre to genre, and in its meditative approach to the trials and tribulations of werewolf parenting.
Movie Review: Post-Apocalyptic Practicality Astounds in “The Domestics”
THE DOMESTICS is obvious in its influences and may not reinvent the wheel, but it sure as hell wraps it in bloody chains, lines it with bladed rims and sends it flaming down a hill paved with determined intention.
MOVIE REVIEW: YOU NEVER FORGET YOUR FIRST TIME IN “NIGHT OF THE VIRGIN”
For those who enjoy their foreign fare subversive and unapologetically repugnant, Roberto San Sebastien’s directorial debut will surely have you feeling just as violated as its central protagonist.
