DEATH HOUSE
The DEATH HOUSE director returns with an icky sexual nightmareby Rocco T. Thompson
DEATH HOUSE’s only value is as a game of Spot-the-Celebrity—which at least provides a distraction from the tackiness of the…by Michael Gingold
Described as “THE EXPENDABLES of horror” for the multitude of genre names in its cast, DEATH HOUSE is headed for…by Michael Gingold
