bryan yentz

M.O.M. is a heat-of-the-moment anecdote of outrage without answers. But sometimes, maybe that’s what’s needed.

As far as single-location thrillers go, DEAD SOUND isn’t actually bad, it’s just an utterly by-the-numbers film you’re bound to…

If DROWNING could be viewed as an electrical time sequence, it would simply be a flatline due to inactivity.

The initial set-up is interesting and the overarching concept commendable, but THE REMAKING suffers from a lack of actual narrative…

The plot may lose steam, but the driving force of A SERIAL KILLER'S GUIDE TO LIFE is that of its…

Resides in a strange purgatorial state wherein fans of the original might feel slighted by the ingeminate material, but newcomers…

It’s REAR WINDOW through the grue-smeared lens of EVIL DEAD. And for the most part, it succeeds in both cinematic…

Considering the extortionate amount of films generically called “Prey”, it’s unfortunate that Franck Khalfoun’s newest endeavor live up to the…

THE HEAD HUNTER is an out-of-nowhere horror film with a head full of artistic aspirations that proves a vision can…

Have you ever had a semblance of interest in a movie, only to watch its preview and discover that you…

ONE OF US has its heart in the right place, but the kitchen-sink approach to resolution rushes the overall experience…

Where LASSO could’ve been a horror-hybrid spectacle worthy of repeat viewing, it unfortunately chooses to tighten its noose around the…

CHRISTMAS BLOOD does scratch a gorehound's itch for merciless slaughter, but won’t keep the pack salivating beyond a beer-binging rental.

A horror film bereft of originality or reason; developed by filmmakers who had no idea how to reap the benefit…

For those that appreciative their flicks raw and uncompromising, DRAGGED ACROSS CONCRETE isn’t just unforgettable, but the kind of movie…