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BUFF ’18 Movie Review: “REVENGE” is a dish served blazing hot and horrific
This movie comes on like the I SPIT ON YOUR GRAVE remake we should have gotten, with forceful, blood-and-thunder filmmaking that’s positively riveting.
SHOOTING GUNS SPOOK OUT TOMB’S JUKEBOX
Today on the Jukebox: sombre sounds from SHOOTING GUNS!
Exclusive Interview: Lauren Ashley Carter on “IMITATION GIRL”
Natasha Kermani’s new film tells the story of two identical women — one an adult-film star, the other a newborn alien clone of said adult-film star, a feat that could only be accomplished by an actor of unique and versatile talent.
SweetBelle Cakes Makes Horror So Tasty
Nikki Belleperche is a self-taught cake designer who creates some of the most awe-aspiring horror cakes.
CELEBRATING THE 10TH ANNIVERSARY OF DIRECTOR TOM SHANKLAND’S “THE CHILDREN”
THE CHILDREN, from director Tom Shankland (THE KILLING GENE), is an under-appreciated horror flick that shows just how frightening children can be.
Movie Review: “IMITATION GIRL” is one-of-a-kind
Natasha Kermani’s IMITATION GIRL is a bizarre film that starts with black sludge running down the screen and ends with a psychedelic trip.
Exclusive photos, plus poster, trailer: “IN MEMORY OF,” from controversial “SCRAPBOOK” director
Indie filmmaker Eric Stanze, who has won praise and controversy for screen shockers like SCRAPBOOK, DEADWOOD PARK, ICE FROM THE SUN and RATLINE, is back with a new movie called IN MEMORY OF. We got a batch of exclusive pics to share, along with the poster and trailer.
Exclusive poster, comments: “MALIGNANT” and “REMAINS” director’s new chiller “ECHOES OF FEAR”
Brian Avenet-Bradley, the writer/director whose previous frightfests include MALIGNANT, DARK REMAINS and GHOST OF THE NEEDLE, gave RUE MORGUE the exclusive first look at the poster for his latest feature ECHOES OF FEAR, along with a few words on the movie from himself and his star.
PETER LORRE GETS GORY ON TOMB’S JUKEBOX
Today in 1964: PETER LORRE passes away.
Movie Review: We go a little mad for “UNSANE”
Whether or not the creators of UNSANE were aware that that title was used for the butchered U.S. release of Dario Argento’s TENEBRAE, their movie doesn’t take overt stylistic cues from thrillers of the past (the very ’70s final shot aside). One of the key story points, in fact, is very much tied to the here and now.