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Exclusive clip: YouTube star Chris O’Flyng tells a tale of terror in “BLACK CREEK”
Chris O’Flyng has over one million followers on YouTube, and now something frightening is stalking him and his friends in BLACK CREEK, which debuts today. See an exclusive clip of O’Flyng from the movie after the jump.
THE BRAINS DIAL UP THE DEAD ON TOMB’S JUKEBOX
Today on the Jukebox: nefarious necromancy with THE BRAINS!
ALBUM REVIEW: SUMMON THE DEVIL WITH “ZEAL AND ARDOR”
It’s a riveting reversal that not only begs gripping questions on God, Satan and the victims caught between the two—but also makes for one hell of an album. Listen up, listen well and Come on Down.
Exclusive Interview: Writer/Director Derek Nguyen on the true-life traumas behind “THE HOUSEMAID” and more
THE HOUSEMAID may deal with the supernatural, but it’s informed by horrific true events from Vietnam’s history as well. Born in Saigon (now Ho Chi Minh City), writer/director Derek Nguyen also homages classic Gothic literature in the film, which he discusses with RUE MORGUE in this exclusive chat.
Movie Review: Trespassing At Dr.Cutterman’s House Will Cost You Your Life & Time in “No Solicitors”
Rue Morgue’s Communications Manager, Jamie Berardi, reviews John Callas’ indie feature-film, NO SOLICITORS.
SHORT FILM REVIEW: A BRIEF VISIT WITH “THE VISITORS”
THE VISITORS, follows three teenagers who decide to kill some time and visit an abandoned factory that’s supposedly infested with aliens.
Mezco Toyz to release first wave of plush “FLATZOS” figures this Summer
MEZCO TOYZ has something for every generation with their new line of FLATZOS.
Exclusive news, comments, poster: Dread Central Presents grabs extreme-haunt shocker “EXTREMITY”
The new brand of immersive horrific attraction is taken to the next level in EXTREMITY, the latest from Anthony DiBlasi, director of the Clive Barker film DREAD. We got the scoop on its forthcoming distribution, plus an exclusive first look at the poster and words from the filmmakers.
RETRO RECOMMENDATIONS: “ABBOTT AND COSTELLO MEET FRANKENSTEIN” (1948)
Universal’s mastery of the macabre was waning to a ridiculous degree in the mid-to-late 1940s. The sentiment seemed that the age of vampires, wolf men and phantoms was slipping away and being discarded to a bygone era. In 1948, Universal drastically shifted gears toward a more comedic approach when it came to create their once dark horror films.
A DYSTOPIAN DIRGE FROM MEGADETH ON TOMB’S JUKEBOX
Today on the Jukebox: an all new dystopian dirge from MEGADETH!