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RETROSPECTIVE: GHOULS OF INSANITY HAUNT THE “DAUGHTER OF HORROR” (1955)
This movie feels like something you groggily awake to in the wee hours, the television flickering some strange Midnight Horror Show…
Windy City Horrorama ‘19 Review: “STRAIGHT EDGE KEGGER” is a House Party Invasion
STRAIGHT EDGE KEGGER certainly has fun with the music and the mayhem.
Grey Matter Art unveils new must-have “Halloween” screen print by artist Sara Deck
Grey Matter Art are back with a truly jaw dropping “HALLOWEEN” SCREEN PRINT BY SARA DECK (under license from Compass International Pictures, Inc.).
Rue Morgue’s CineMacabre Movie Nights series presents a special screening of “Saint Bernard”
Rue Morgue’s CineMacabre Movie Nights returns with a very special screening of Gabe Bartalos’ SAINT BERNARD (Wednesday, May 22, 2019 at 8 PM – 10 PM; The Royal Cinema; 608 College Street, Toronto), a movie that needs to be seen to be believed!
“LEMORA” LURKS AROUND TOMB’S JUKEBOX
Today in 1973: LEMORA: A CHILD’S TALE OF THE SUPERNATURAL premieres!
Exclusive cover and comments: “THE RANGER” kills again in new novelization
If you’re one of the many who enjoyed Jenn Wexler’s punk slasher movie THE RANGER, you can re-experience its terror with a little something extra thanks to a book version that drops this week. Read on for an exclusive first look at the cover and words on the adaptation from the filmmakers.
Windy City Horrorama ‘19 Review: In “FREAKS” Paranoia doesn’t mean you’re crazy if The Threat Is Real
Visually stunning and emotionally honest, FREAKS is a fascinating take on paranoia and what makes people special.
ALFRED HITCHCOCK HAUNTS TOMB’S JUKEBOX
Today in 1980: “Master of Suspense” SIR AFLRED HITCHCOCK passes away of natural causes.
Exclusive Interview: Filmmaker Roxanne Benjamin on the survival saga of “BODY AT BRIGHTON ROCK”
After establishing herself on the horror scene in the anthology field, she treks into a frightening forest for her feature debut.
Exclusive Interview: Director Josh Lobo on “I TRAPPED THE DEVIL”
We talk to director Josh Lobo about directing his first film, assembling a small cast, and film as a therapeutic process.