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Interview: Industrial Pop Artist Baby Jane On Her Influences And New Single “If The Devil Looked Like You”
“It’s the dark alternative of movies, which I hope to embody in the musical space as an artist,” says the Calabasas native of her music, which infuses alternative music with occult imagery.
First clip from Ted Geoghegan’s SXSW premiere “BROOKLYN 45” sets up a seance
The characters in the period chiller have differing views on discoursing with the dead.
“THE AUTOPSY OF JANE DOE” and Waking the Witch Within
THE AUTOPSY OF JANE DOE is ostensibly a story about death. André Øvredal’s terrifying film follows Austin (Emile Hirsch) and Tommy (Brian Cox), a father-son team of coroners tasked with examining a body found partially buried beneath a brutal crime scene. Rather than discover and report her tragic story, they inadvertently awaken a powerful witch hellbent on reclaiming her own autonomy.
Movie Review: Put “GHOST TOWN” Out to Pasture
Owen Conway’s flawed horror western isn’t completely unwatchable, but it is nearly unenjoyable.
Interview: Scott Hamm on the Making of “REBROKEN”
Recently, we had the opportunity to chat with Scott Hamm about the upcoming film, REBROKEN. The film stars Hamm, along with Tobin Bell (The Saw Franchise), and Kipp Trible – who also wrote the screenplay based on a story from Hamm.
Exclusive comments: Lulu Wilson and the directors on the SXSW premiere “THE WRATH OF BECKY”
You can’t keep a vengeful teenager down, but you can give her a new attitude.
Exclusive comments: Star and director talk the SXSW premiere “THE ANGRY BLACK GIRL AND HER MONSTER”
The horror-drama puts a fresh spin on an oft-told genre classic.
Movie Review: The characters can’t drive “65,” but the dino action delivers
If it remains, in the end, little more than a well-polished B-picture, it’s also blessedly free of the distractions that weighed down JURASSIC WORLD: DOMINION.
Jenna Ortega likely to star in Tim Burton’s “BEETLEJUICE 2”
Well, this was probably inevitable.
Movie Review: “SCREAM VI” draws fresh blood slicing the Big Apple
The filmmakers have the SCREAM formula down cold by this point, and the skill to keep the proceedings from playing like formula.