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Final Brooklyn Horror Film Festival lineup includes “VFW,” “THE SHED,” “DEPRAVED” documentary and more!

Thursday, September 12, 2019 | Events

By MICHAEL GINGOLD

Following up on our first announcement  about the movies playing next month’s Brooklyn Horror Film Festival, the rest of the lineup has been announced, and features a bunch more exciting titles!

Running October 17-24, the fest’s fourth edition will wrap up with the New York premiere of Joe Begos’ VFW (pictured), followed by a Fangoria Closing Night Party. Here are the details on that and the other features in the second-wave announcement:

  • VFW (New York Premiere; U.S./2019/92 min./Dir. Joe Begos): A tight-knit group of grizzled military veterans (played by a formidable cast of genre fan favorites, including Stephen Lang, William Sadler and Fred Williamson) just want to have a laidback night of hard boozing inside their VFW digs. Too bad for them, though, that a gang of punk drug dealers and supercharged addicts have other plans for their unsuspecting elders. Coming off of his excellent descent-into-hell eye-opener BLISS, horror grime master Joe Begos puts his bold stamp on the good old-fashioned “siege movie” with this gore-drenched and delightfully sleazy adrenaline rush. Director Joe Begos will be in attendance.
  • BLOOD QUANTUM (U.S. Premiere; Canada/2019/96 min./Dir. Jeff Barnaby): In the midst of a zombie outbreak, all hope seems lost, but there’s one glimmer of salvation: A small Indigenous community populated by folks who are somehow immune to whatever is turning people into undead flesheaters. Having been marginalized and persecuted for their entire lives, though, the lucky, and still healthy, residents see an opportunity to both keep themselves alive and pay back those who’ve wronged them by keeping their community’s entry ways closed. And with that, Canadian filmmaker Jeff Barnaby has conceived one of the cleverest uses of the socially potent zombie template, carrying the torch for the late George A. Romero in the process—not to mention Tom Savini, thanks to an excess of viscera. 

  • THE SHED (East Coast Premiere; U.S./2019/99 min./Dir. Frank Sabatella): Stan, Roxy and Dommer are lifelong friends whose bond is being tested by the ever-taxing rigors of high school. For Stan and Dommer, in particular, the daily bullying they encounter comes in second only to watching Roxy’s popularity grow, and, in turn, her closeness to them dissipate. But there’s an unexpected possible solution to their problems in Stan’s backyard: a nondescript-looking toolshed, which houses something inhuman. Centered on the unlikeliest of villains, Frank Sabatella’s THE SHED takes what could have been a gore-drenched monster movie romp and layers it with potent coming-of-age anxiety and youth-in-crisis urgency. Don’t worry, though: There’s still carnage aplenty. Director Frank Sabatella will be in attendance.
  • MYSTERY OF THE NIGHT (U.S. Premiere; Philippines/2019/105 min./Dir. Adolfo Alix, Jr.): In the colonial Philippines of the 1900s, a young woman who’s been raised by creatures in the woods meets, and falls in love with, a man from town. Soon enough, though, her new romance goes sour, prompting her to make him pay in ways you’ll need to see to believe. Cloaked in a hypnotic ambiance from its opening frame, Adolfo Alix Jr.’s MYSTERY OF THE NIGHT takes its time building up character and conflict before erupting with a dynamite supernatural payoff that’s shockingly primal. Behold one of 2019’s most unique horror gems. 
  • IN THE QUARRY (East Coast Premiere; Uruguay/2018/82 min./Dir. Bernardo and Rafael Antonaccio): Excited to introduce her new boyfriend to her longtime friends, Alicia sets up a hangout session at an abandoned quarry near her hometown. At first, it’s all good times, with food and drinks abound, but as the day progresses, secrets are revealed and bonds are broken. And before the day is over, lives will be lost. Uruguayan filmmakers Bernardo and Rafael Antonaccio mine pure darkness and unpredictable brutality from their characters’ frayed dynamics in this tense and excellently acted riff on naturalistic heart-of-darkness genre fare the likes of Polanski’s KNIFE IN THE WATER. 
  • MONUMENT (East Coast Premiere; Poland/2019/108 min./Dir. Jagoda Szelc): Waking up to discover their bus driver gone, a group of hospitality majors arrive at a hotel in the middle of nowhere. The take-no-shit hotel manager greets them with the first lesson of their internship—no one cares what your name is. This loss of identity is followed by menial cleaning tasks and as one night bleeds into the next, the students begin to explore the dark recesses of the hotel. Mythic and tantalizing, Director Jagoda Szelc’s sophomore feature channels the waywardness and palpable rage of youth. 
  • SWALLOW (U.S./2019/94 min./Dir. Carlo Mirabella-Davis): Pregnant housewife Hunter (Haley Bennett) suddenly develops a case of pica—a psychological disorder involving the desire to consume inedible objects. The more her husband and his family try to stop her compulsions, the gruesomely deeper she falls into this harmful obsession until her perfect home becomes a patriarchal prison. Carlo Mirabella-Davis’ metaphorically rich feature debut is a body horror film that feels utterly essential from its timely commentary down to Bennett’s jaw-dropping lead performance. Director Carlo Mirabella-Davis will be in attendance.
  • THIS IS OUR HOME (U.S./2019/73 min./Dir. Omri Dorani): Shaking off a tense roadside encounter with some strangers, Reina and her boyfriend, Cory, arrive at her childhood home. The quarreling couple are attempting to overcome a difficult decision that has put a deep strain on their relationship: the abortion of their first child. Late that night, there’s a knock at the door. It’s a young boy claiming to be their son. Disturbingly batshit in its exploration of unresolved grief and regret, THIS IS OUR HOME begs to be discussed and deciphered. Director Omri Dorani, actress/producer Simone Pellicano and producer Jeff Ayars will be in attendance.
  • SPIRAL (North American Premiere; Canada/2019/87 min./Dir. Kurtis David Harder): To get away from the city life, same-sex couple Malik and Aaron and their teen daughter, Kayla, move to a small suburban town in the mid-’90s. Unfortunately, they’re greeted right away with homophobic threats. When Malik witnesses a strange gathering in the neighbor’s house, he starts to fear for their lives. A queer horror game-changer, SPIRAL uses the genre to call out the deep-rooted fear of the other in America and expose the cycle of hate as the most corruptible, ancient evil of all. Director Kurtis David Harder will be in attendance.
  • CARMILLA (NYC Premiere; United Kingdom/2019/95 min./Dir. Emily Harris): Fifteen-year-old Lara has no freedom in her overbearing family’s stately manor, which makes her budding sexual curiosities all the tougher to navigate. One day, a carriage accident near their property leads to enigmatic teenager Carmilla taking up residence inside her home to recover, sparking a friendship that grows into something more passionate. Lara’s family, meanwhile, suspects there’s something inhuman about Carmilla. Adapting Sheridan Le Fanu’s classic vampire novella, which predates Bram Stoker’s DRACULA by nearly three decades, British filmmaker Emily Harris delivers an elegant and moody Gothic romance that isn’t afraid to let the blood flow. 
  • FESSENDEN’S DEPRAVED: MAKING FRANKENSTEIN IN A BROOKLYN LOFT (World Premiere; U.S./2019/75 min./Dir. Larry Fessenden): With the release of Larry Fessenden’s DEPRAVED, horror fans have finally seen a new film from one of New York City’s, let alone that of the horror genre as a whole, most influential indie filmmaking legends, his first since 2013’s BENEATH. But for Fessenden himself, the journey to get his audacious and Brooklyn-set modernization of Mary Shelley’s FRANKENSTEIN made has taken much longer and proven the values of both dedication and determination. In this feature-length documentary, Fessenden offers an intimate look at bringing his most ambitious passion project yet to life. It’s an all-access dive into one of 2019’s best horror films, and BHFF will have Fessenden himself on hand to break DEPRAVED’s production story down even further. Frankly, it doesn’t get more authentically “Brooklyn Horror” than this.
  • THE SWERVE (East Coast Premiere; U.S./2019/95 min./Dir. Dean Kapsalis): High school English teacher Holly (Azura Skye) has always taken the stress and thanklessness of motherhood in stride, but a dark secret weighs heavily on her. The sudden appearance of a mouse and a betrayal by her self-absorbed husband send her spiraling down into catastrophe as she wreaks total havoc on her life. THE SWERVE is an epic, tenacious showcase for Skye, who shreds through the screen flailing for a lifeline in director Dean Kapsalis’ emotionally crushing feature debut. Director Dean Kapsalis will be in attendance.

There will also be four short film blocks: Slayed!: LGBTQ Horror Shorts, Home Invasion: Shorts (focusing on New York City productions), Nightmare Fuel, Head Trip and Creeping Terror. Festival badges are available now and individual tickets will go on sale next Tuesday, September 17 at 10 a.m. EST at the festival’s website.

Michael Gingold
Michael Gingold (RUE MORGUE's Head Writer) has been covering the world of horror cinema for over three decades, and spent 28 years as a writer and editor for FANGORIA magazine and its website. In addition to RUE MORGUE, he currently writes for BIRTH.MOVIES.DEATH, SCREAM, IndieWire.com, TIME OUT, DELIRIUM and others. His book THE FRIGHTFEST GUIDE TO MONSTER MOVIES (FAB Press) is out this fall, and he has contributed liner notes and featurettes to a number of Blu-ray and DVD releases. Among his screenplay credits are SHADOW: DEAD RIOT and LEECHES!, and he is currently working on THE DOLL with director Dante Tomaselli.