• Short Films

Cut Short Interview with Cassandra Sechler, Director of “LOVESICK”

The horror short Lovesick is eight minutes of nightmare fuel with bizarre imagery and grotesque monsters.  To find out more about the delightfully weird mind that came up with it, I reached out to writer/director Cassandra Sechler, an artist based in San Francisco who runs Dreams for Dead Cats Productions, LLC alongside her film partner Craig Jacobson. They specialize in high concepts on a low budget, and she took some time to talk a bit (as always, in 100 words or less) about how she gets from concept to film.

Lovesick forgoes narrative and seems to be taking a more abstract approach to instill a disturbing feeling. Is this the idea or is there narrative layered in?
The narrative is abstract & more subliminal—a dark surreal journey into human sexuality, remorse, and self-hatred.

What’s the inspiration for the imagery in your films?
My darkest nightmares.

How much structure do you have settled when you start filming. Is it all planned out or do you leave room to improvise?
My OCD really kicks in with film making. I plan everything, but I always leave room for play!

How do you get those gooey effects for movies like Lovesick?
Lots of liquid latex, toilet paper, paint, and slime!

What made you get into film making?
I borrowed a super 8 camera from a friend and fell in love with creating moving pictures!

Who (or what) is your biggest influence in film. Why?
Expressionism influences my work. Creating emotionally stimulating, critical, visceral, unique experiences for viewers is important to me.

What’s your favorite movie. Why?
Evil Dead 2—this movie has it ALL! ‘Nuff said.

What are some overlooked films that you think more people should see?
Split Second, Tapeheads, Night Dreams, Blastfighter, Threads.

What scares you the most?
Humans.

What scares other people that doesn’t scare you?
Dying alone.

Coming up, Sechler has two new feature films she’s writing, directing, and producing.  White Phosphorus is a gritty sci-fi, cyber horror follow up to a previous feature, Elliot. She’s also working on a horror/fantasy anthology called Tearful Surrender.

If you’re interested in seeing more from Sechler, you can follow her on Twitter (@dreams4deadcats) .  You can also get more information about Dreams for Dead Cats on Twitter (@ddcp_sf), Instagram (@dreamsfordeadcats), Facebook (www.facebook.com/dreamsfordeadcatsproductions) and their official website: https://dreamsfordeadcats.com/

You can order their short films collection, handmade skulls, screen-used props, and their feature film Elliot here: http://bit.ly/ddcpstore

Read More

Get The Grim Reader.
Rue Morgue's free newsletter.
Editor's notes.
Cultural insight.
Curated horror across film, books, music, and art.
First looks.
Select previews.
No algorithms.
Join Free

Advertisement

In Print Since 1997

Issue 231

Rue Morgue #231 Jul/Aug 2026

Plus

Inside Rue Morgue #231 – Summer Slasher Issue FEATURES Filmmaker Jane Schoenbrun’s TEENAGE SEX AND DEATH AT CAMP MIASMA guts the slasher formula from the inside out, turning it into a romance about the horror of becoming who you were always meant to be. Plus! GILLIAN ANDERSON and HANNAH EINBINDER unpack Schoenbrun’s radical dismemberment of…

Issue 230

Rue Morgue #230 May/Jun 2026 – RARE

Plus

Inside Rue Morgue #230 FEATURES Filmmaker Curry Barker transforms a simple wish into a spiralling nightmare of love, possession, and bloodshed in his breakout feature OBSESSION. Plus: The story of Barker’s found-footage shocker MILK & SERIAL, which turned a micro-budget experiment into a viral horror breakout. Hollywood made it a monster. History tells a different…

Issue 229

Rue Morgue #229 Mar/Apr 2026

Plus

Inside Rue Morgue #229! FEATURES A nerve-shredding found-footage thriller built around sound, UNDERTONE signals the arrival of a terrifying new voice in Canada’s booming independent horror scene. Plus! Meet the new breed of independent Canadian horror filmmakers behind DREAM EATER, SWEETNESS, HANGASHORE, THE LAND OF NOD and THE CURSE OF GHOST ISLAND. Part post-punk, part…

Issue 228

Rue Morgue #228 Jan/Feb 2026

Plus

Inside Rue Morgue #228! FEATURES He fascinated audiences in 2001 with the French period martial arts horror film BROTHERHOOD OF THE WOLF. Then he followed it up in 2006 by bringing the eerie world of SILENT HILL to cinematic life. Now, visionary director CHRISTOPHE GANS unleashes his latest nightmare with RETURN TO SILENT HILL. Plus!…