Columns
Perhaps not all the good ones are taken. Yet, as audiences immersed in Vietnamese-American director Derek Nguyen’s lush, disquieting and…by Michael Gingold
THE HOUSEMAID may deal with the supernatural, but it’s informed by horrific true events from Vietnam’s history as well. Born…by Michael Gingold
Rue Morgue's Communications Manager, Jamie Berardi, reviews John Callas' indie feature-film, NO SOLICITORS.by Mariam RM
THE VISITORS, follows three teenagers who decide to kill some time and visit an abandoned factory that’s supposedly infested with…by kleurvision
Universal’s mastery of the macabre was waning to a ridiculous degree in the mid-to-late 1940s. The sentiment seemed that the…by kleurvision