Columns

The trio talk up their deliciously nasty familial shocker.

Reveals the breadth of thought and craft that went into translating William Peter Blatty’s book and script to the screen.

The initial set-up is interesting and the overarching concept commendable, but THE REMAKING suffers from a lack of actual narrative…

It’s been brought off with impeccable, intoxicating craft.

The Haitian voodoo past isn’t dead in Bertrand Bonello’s hybrid triumph; it’s alive and well at a French boarding school.