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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Search the Manor
Search
×
Columns
Movie Review: “By Night’s End” Is One Helluva First Feature
Writer/director Walker Whited's debut is a solid entry in the home invasion canon.
by
Rocco T. Thompson
Interview: Bill Oberst Jr. on the Insanity that is “Greatland”
The genre stalwart tell us all about his experience filming writer/director Dana Ziyasheva's colorfully bizarre dystopian comedy.
by
Rue Morgue Manor
Movie Review: “KINDRED” keeps you trapped with gradual, inexorable tension
The horrors are psychological, simmering under the surface for most of the running time, yet they hold your attention throughout.
by
Michael Gingold
Exclusive Interview: Composer Chris Thomas On His Score for “Don’t Look Back”
Get to know the musical renaissance man behind the soundscape for Jeffrey Reddick's karmic thriller.
by
Rue Morgue Manor
Movie Review: Evil scribes and Faustian bargains collide in “WRITER’S BLOCK”
This nasty, viscera-festooned literary psychochiller is the microbudget-cinema equivalent of a potboiler.
by
Michael Gingold
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