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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
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Columns
EXCLUSIVE INTERVIEW: Raising Hell With “THE FIRST OMEN’s” Arkasha Stevenson And Nell Tiger Free
In this spoiler-packed interview, the director and star of the "OMEN" prequel discuss resurrecting the Devil for a new generation.
by
Rue Morgue Manor
Movie Review: “THE BEAST” Tinkers With Time and Memory
Adapted from Henry James' novella "THE BEAST IN THE JUNGLE," writer-director Bertrand Bonello's latest film is an intense ride through…
by
Deirdre Crimmins
Movie Review: “It Doesn’t Get Any Better Than This” Is Found Footage At Its Most Raw
When Nick and Rachel buy a rundown house in which to shoot a horror movie, strange occurrences begin to take…
by
Grace Detwiler
BUFF ’24 Movie Review: The spider horrors of “INFESTED” have eight legs up
A good ’n’ creepy killer-spider opus that’ll get you jumping and squirming even if you’re not an arachnophobe.
by
Michael Gingold
Movie Review: “THE FIRST OMEN” has its holy terrors, even if it isn’t wholly surprising
It’s a commendably serious-minded attempt to elicit suspense out of a scenario whose very existence makes its final act a…
by
Michael Gingold
BUFF ’24 Movie Review: “SLEEP” will keep you awake and unnerved
It finds consistently intriguing and frequently frightening ways to both personalize the scenario and take it in unexpected directions.
by
Michael Gingold
EXCLUSIVE INTERVIEW: FROM GOBLIN TO “SUITABLE FLESH” – ZOMBI’S STEVE MOORE ON HIS LEGENDARY COLLABORATIONS
One-half of the Pittsburgh prog-rock duo sits down with RUE MORGUE to talk horror scores, metal connections and power of…
by
Rue Morgue Manor
BUFF ’24 Movie Review: “BOY KILLS WORLD” Sure Lives Up To Its Name
BOY KILLS WORLD is what we would get if Street Fighter came to life, was hellbent on revenge, and narrated…
by
Deirdre Crimmins
STAGE FRIGHT: “TEETH” provides plenty to chew on
The musical adaptation of Mitchell Lichtenstein's 2007 film is a subversive, funny and thought-provoking look at sexual politics and religion.
by
Ricky J. Duarte
Movie Review: “EASTER BLOODY EASTER” is a hoppin’ good time
Diane Foster's directorial debut is an unexpected holiday horror delight.
by
Ricky J. Duarte
Movie Review: The problems multiply in “GODZILLA X KONG: THE NEW EMPIRE”
It’s constantly in a rush to get to the next scene, with little attention paid to developing suspense or awe…
by
Michael Gingold
Movie Review: “WINNIE-THE-POOH: BLOOD AND HONEY II” is b-i-double-guh-er but not much better
The only part of my childhood these films are ruining is the one I spent watching independent horror movies made…
by
Michael Gingold
BUFF ’24 Movie Review: “HUMANIST VAMPIRE” finds bloody good laughs and dark romance
Stylishly filmed, and funny in a few different ways, it is among other things a perfect date movie for horror…
by
Michael Gingold
BUFF ’24 Movie Review: “TIGER STRIPES” Bares (Not Bears) Its Teeth
TIGER STRIPES delivers puberty horror in a big way.
by
Deirdre Crimmins
Exclusive Interview: “IMMACULATE” director Michael Mohan on Italian horror influences, Sydney Sweeney’s body horror and more
The director and actress were united in their desire to get down and bloody with this religious frightfest.
by
Michael Gingold
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