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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Search the Manor
Search
×
Columns
Movie Review: There’s A Method To The Madness Of “Cut And Chop”
CUT AND CHOP appropriately dissects the pseudo-intellectual excuses we heap on artists, whose behaviours would normally earn them a punch…
by
Rue Morgue Manor
Movie Review: There Is No Pulse (Or Plot) To “Heartbeat”
The real crime is your stolen time, and the real victim is cinema, who is beaten to death.
by
Rue Morgue Manor
Exclusive Interview: “SHE DIES TOMORROW” writer/director Amy Seimetz on personal dread, genre definitions and more
Tapping into anxieties specific to herself, her slow-burning thriller is now relevant to us all.
by
Michael Gingold
Movie Review: “UNCLE PECKERHEAD” is a killer punk-rock horror/comedy opus
The debut feature from writer/director Matthew John Lawrence pulls at your heartstrings—then feeds them to a demon rock ’n’ roll…
by
Michael Gingold
Movie Review: “SHE DIES TOMORROW” is a fascinating study of imminent fate
It’s an exploration of how different people respond in distinct ways to a very basic fear.
by
Michael Gingold
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