Columns

The famed Canadian horror author opens up about her feature film debut.

Pretty awful–but it’s of interest more as a resurrected piece of horror history.

Chris Regan's quasi-slasher fails to deliver on its title.

Writer/director F.C. Rabbath's comedy-horror-romance tries to be too many things at once.

SHADOW trades visceral plausibility for rousing exaggeration in its final act and pulls it off.