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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Search the Manor
Search
×
Columns
CUFF ’24 REVIEW: “PROPERTY” SHOWCASES A GRIPPING DIVIDE BETWEEN THE CLASSES
Brazilian filmmaker Daniel Bandeira explores the horrors of the economic divide in this tense, socially conscious thriller.
by
Rue Morgue Manor
CUFF ’24 REVIEW: AMBITIOUS DEBUT “THE BLUE ROSE” WITHERS UNDER ITS OWN INFLUENCES
Eighteen-year-old filmmaker George Barron's surreal first feature is a stylish but flawed David Lynch pastiche.
by
Rue Morgue Manor
Movie Review: “TAROT” isn’t playing with a full deck
A subject that could be adapted in all kinds of intriguing ways is reduced to a hopelessly formulaic youth-in-peril flick.
by
Michael Gingold
CUFF ’24 REVIEW: VAMPIRIC FANTASY “THE VOURDALAK” IS WORTH LETTING IN
Filmmaker Adrien Beau pays homage to the look and style of '70s horror in this deliberately paced folkloric thriller.
by
Rue Morgue Manor
Movie Review: ANTHOLOGY HORROR FILM “BEWARE THE BOOGEYMAN” IS CONSISTENTLY CHEAP
BEWARE THE BOOGEYMAN is an good-natured attempt at resurrecting the portmanteau horror film, but good intentions are sadly undermined by…
by
Joel Harley
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