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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
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Review
“Etheria Season 2” Review: Shorts, Just Right
The Etheria Film Night's most celebrated female-made shorts have been curated into a stream-ready, greatest genre hits mixtape.
by
Deirdre Crimmins
Salem Horror Fest ’20 Review: “The Last Thanksgiving” Is A Tasty But Not Fully Satisfying Ode To The Golden Era Holiday Slasher
Writer/director Erick Lorinc serves up a retro-styled stalk 'n slash worth its salt, but fumbles the main course.
by
Rocco T. Thompson
Movie Review: Looking for the highway to hell? Here’s a “SHORTCUT”
This creature-feature-meets-serial-killer romp wears its heart on its sleeve—figuratively and literally.
by
Michael Gingold
Salem Horror Fest ’20 Review: “THRESHOLD” showcases indie-film prowess with hints of terror
By keenly balancing humor and optimism with bites of horror and intrigue, the film effectively entices viewers to follow the…
by
Michael Gingold
Movie Review: Don’t watch this one “ALONE”
It spins terrific suspense out of a familiar storyline via solid craftsmanship and two strong lead performances.
by
Michael Gingold
Review: “INTERSECT” is the Lament Configuration of Lovecraft Films
Director Gus Holwerda set out to create a puzzle film, and we here at Rue Morgue think INTERSECT will certainly…
by
kleurvision
Movie Review: It Isn’t Worth Unleashing the “BEAST WITHIN”
BEAST WITHIN turned out to be a joyless attempt at monsters, mystery and modern gaming while missing the mark in…
by
Rue Morgue Manor
Movie Review: Social isolation and a sinister talking head lead to unfriendly ends in “RENT-A-PAL”
The performers deftly build a world that is uncomfortably believable and a little too close to the one we currently…
by
Michael Gingold
Movie Review: “THE BABYSITTER: KILLER QUEEN” is guaranteed not to blow your mind
It mostly settles for rehashing its predecessor and throwing a bunch of gore and profanity against the wall to see…
by
Michael Gingold
FrightFest ’20 Review: “AQUASLASH” treads water too long before sliding into gleeful depravity
AQUASLASH dedicates too much time to its petty squabbling, illicit affairs and shady real-estate deals, and not enough time to…
by
kleurvision
FrightFest ’20 Review: “THERE’S NO SUCH THING AS VAMPIRES” is a horror road movie running on fumes
Though this flick kicks off at 100 miles an hour, unfortunately, once the wheels stop rolling, so does the movie’s…
by
kleurvision
Fantasia ’20 Review: “SLAXX” Brings Killer Jeans Into Style
It is possible to have a ton of fun watching a pair of haunted, autonomous pants on an overnight killing…
by
Deirdre Crimmins
Arrow Video Frightfest Digital Edition: “Playhouse” Is An Atmospheric Highlands Riff On Poe
The Northern U.K. provides the perfect backdrop for Fionn and Toby Watts' debut feature!
by
Rocco T. Thompson
Fantasia ’20 Review: “CLIMATE OF THE HUNTER” offers a gloriously quirky cinematic feast
Intentionally embracing style over substance, every square inch of the film oozes deliberate and beautiful homage.
by
Michael Gingold
Movie Review: The ghosts of war and evil entities compete for attention in “THE UNFAMILIAR”
PTSD, folk horror and family drama collide in this dread-inducing supernatural/psychological horror film.
by
Michael Gingold
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