Movie Review: “By Night’s End” Is One Helluva First Feature
Writer/director Walker Whited's debut is a solid entry in the home invasion canon.
Writer/director Walker Whited's debut is a solid entry in the home invasion canon.
This nasty, viscera-festooned literary psychochiller is the microbudget-cinema equivalent of a potboiler.
It’s a thriller about paranoia and trust–a common theme in 2020–with a nice science-fiction premise and some magic tricks up its sleeve.
The Australian feature is a pale imitation of other, more charming films about insane backwoods families.
It’s the biggest game-changer on the slasher scene since SCREAM.