LFF ’20 review: “THE INTRUDER” hits some high notes but struggles to find its voice
Like its protagonist, THE INTRUDER has many voices but they struggle to make themselves heard.
Nightstream ’20 Review: “JUMBO” Is A Lovingly Crafted Queer Accomplishment
In JUMBO, the debut feature from Belgian director Zoé Wittock, "Portrait of a Lady on Fire" alum Noémie Merlant falls for an amusement park Tilt-A-Whirl, and the resulting romance is somehow more potent and tragic.
Salem Horror Fest ’20 Review: “HUNGER” Is A Seductive Dance of Death
Manu Herrera's film explores the bloody consequences of self-loathing and unsatiated sexuality.
LFF ’20 Review: “ROSE” is a vampire story for our times but its fangs may not be sharp enough for some
The feature debut of its writer-star and its director, ROSE: A LOVE STORY may be the definitive COVID-19 vampire movie.
Movie Review: “Chop Chop” Is Charmingly Bizarre
Weird villains and escalating lunacy abounds in Rony Patel’s directorial debut!
