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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Analog Abattoir
Analog Abattoir: 1983’s “MAUSOLEUM” Is a Sexy, Schlocky Demonic Spectacle
Doctor Benny Graves is back! In this installment of ANALOG ABATTOIR, our resident fiendish physician performs a necropsy on a…
by
Dr. Benny Graves
ANALOG ABATTOIR: Looking Back at Rubén Galindo Jr.’s Satanic Slasher, “GRAVE ROBBERS”
The director of "CEMETERY OF TERROR" cooked up a devilish stew with a heaping helping of gore with this 1989,…
by
Dr. Benny Graves
ANALOG ABATTOIR: “ALONE IN THE DARK,” New Line Cinema’s mean little Freddy-less nightmare
A murderer’s row of character actors play a literal murderer’s row of escaped madmen in this cruel little film directed…
by
Dr. Benny Graves
ANALOG ABATTOIR: Paul Naschy’s “NIGHT OF THE WEREWOLF” Is A Howling Good Time
Paul Naschy, Spain’s answer to Lon Chaney Jr., writes, directs and stars in a slice of Euro-Horror gold that's equal…
by
Rue Morgue Manor
ANALOG ABATTOIR: Don Dohler’s “FIEND” is a Surprisingly Earnest Low-Fi Nightmare
A deceased music teacher possessed by an unknown force becomes a ghoul with an appetite for the unsuspecting citizens of…
by
Rue Morgue Manor
ANALOG ABATTOIR: “PATRICK STILL LIVES” brings the insanity as a gory pseudo-sequel saturated in schlock
In his new column, ANALOG ABATTOIR, Dr. Benny Graves has the cure for the common horror movie. In this first…
by
Rue Morgue Manor
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