Britain’s Arrow FrightFest reveals new 2020 plans, Graham Humphreys art By MICHAEL GINGOLD Due to the ongoing coronavirus pandemic, the team behind London’s Arrow FrightFest have postponed their August event and made new plans for this year, with the announcement...
Filmmaking during quarantine: Federico Zampaglione on the “BIANCA” shorts By ROBERTO E. D’ONOFRIO The desire to stay positive during the tough times we’re going through due to the pandemic was the creative drive behind BIANCA, the short psychothriller directed while...
Ryan Gosling’s new “WOLFMAN” is close to howling for Universal By MICHAEL GINGOLD Having scored with its new take on THE INVISIBLE MAN earlier this year, the studio will next reboot another of its classic horror characters. Variety reports that Universal is close to...
The anxieties of “INVASION OF THE BODY SNATCHERS” (1978) are still timely By PATRICK BRENNAN During my (so far) 11 weeks of isolation, I’ve stumbled upon three pieces of media that I had no idea would agitate my anxiety in the age of COVID-19. The first was Stephen...
Blue Underground is bringing “THE HOUSE BY THE CEMETERY” and “THE NEW YORK RIPPER” to 4K UHD Blu-ray; details, art and trailers By MICHAEL GINGOLD Two of Lucio Fulci’s most popular gorefests will be unveiled on Ultra High-Definition discs later this summer. Blue...
