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Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Search the Manor
Search
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Jerry Jenae Sampson
Interview: Multi-Instrumentalist VAAAL on Composing the Unsettling Score for “A Wounded Fawn,” Listen Now
A WOUNDED FAWN boasts a searing, stimulating, and innovatively mind-altering score from VAAAL; Rue Morgue joined VAAAL in the studio…
by
Jerry Jenae Sampson
Interview: Director Travis Stevens and stars Sarah Lind and Josh Ruben on “A WOUNDED FAWN”
The filmmaker and his cast open up about Shudder's surreal new horror thriller.
by
Jerry Jenae Sampson
Objectification and Male Rage in “IRRÉVERSIBLE”
Gaspar Noé's film is an absolute must-watch for those looking to explore New French Extremity.
by
Jerry Jenae Sampson
Movie Review: The Terror of Racial Injustice is Poorly Represented in “Blackstock Boneyard”
Andre Alfa's film wants clout for tackling heavy subjects without taking the time to develop a cogent narrative or well-rounded…
by
Jerry Jenae Sampson
Movie Review: Don’t Sacrifice Your Time to “BAPHOMET”
Matthan Harris's film falls very short of the glory of the great horned guy.
by
Jerry Jenae Sampson
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