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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Deirdre Crimmins
Fantasia ’25 Movie Review: “SUGAR ROT” is sweet, sweet decay
It’s what would have happened if Herschell Gordon Lewis was obsessed with sweets instead of gore, and it accomplishes exactly…
by
Deirdre Crimmins
Fantasia ’25 Movie Review: Giallo gets scrappy in “ANYTHING THAT MOVES”
Phillips builds on his visual style and storytelling skills and delivers a film more accessible, more polished and more naked…
by
Deirdre Crimmins
Fantasia ’25 Movie Review: “BURNING” fights fire with fire
The way the filmmakers manipulate perspective and empathy from one segment to the next is remarkably skillful.
by
Deirdre Crimmins
Fantasia ’25 Short Film Reviews: Great Things Come In Small Packages in FANTASIA’s “Born of Woman” Block
The short film showcase once again proves that women in horror are a force to be reckoned with.
by
Deirdre Crimmins
Fantasia ’25 Movie Review: “HOLD THE FORT” has fun with monsters
It feels like a valentine to the genre as a whole, and has a bit of fun with all of…
by
Deirdre Crimmins
Movie Review: “CLOWN IN A CORNFIELD” Sure Does Have a Clown in a Cornfield
Eli Craig's adaptation of Adam Cesare's fan-favorite YA novel is a solid, unpretentious slasher that delivers on its title but…
by
Deirdre Crimmins
Overlook ‘25 Review: “CHAIN REACTIONS” Tells Tales of Chainsaws
Documentarian Alexandre O. Philippe turns the camera on Stephen King, Takashi Miike and others to discuss the influence of Tobe…
by
Deirdre Crimmins
OVERLOOK ‘25 MOVIE REVIEW: “THE SHROUDS” is Like Sex and Pizza: any Cronenberg is Good Cronenberg
Cronenberg's latest may not be his greatest, but it stands as an impressive and unnerving exploration of the human condition.
by
Deirdre Crimmins
OVERLOOK ‘25 MOVIE REVIEW: “DROP” Keeps the Tension Taut
A call worth answering, even if the signal is a little weak at times.
by
Deirdre Crimmins
BUFF ‘25 Movie Review: “BEST WISHES TO ALL” means well, but…
Great ideas and frightening ideologies go unrealized, making the new film from Yûta Shimotsu a frustrating exercise.
by
Deirdre Crimmins
BUFF ’25 Movie Review: “SISTER MIDNIGHT” arranges the marriage of comedy and horror
Funny and gratifying, with a career-making lead performance and a good measure of the monstrous
by
Deirdre Crimmins
The Overlook Film Festival 2025 Has Great Bones
The four-day celebration of all things horror returns to New Orleans with a slate of classics, fan favorites and highly…
by
Deirdre Crimmins
EXCLUSIVE INTERVIEW: “GET AWAY” Stars Maisie Ayres and Sebastian Croft with Director Steffen Haars Talk Creating a Family on Set
All three agree that spending a long day of shooting in a car can work wonders on a new cast.
by
Deirdre Crimmins
EXCLUSIVE INTERVIEW: Aisling Bea and Nick Frost Talk About Their Family Folk Horror Comedy “GET AWAY”
The co-stars discuss the delicate balancing act behind their new multi-genre effort.
by
Deirdre Crimmins
EXCLUSIVE INTERVIEW: Nick Frost and Bruce Goodison Take a Terrifying Ride In “BLACK CAB”
We join the director and star of SHIUDDER's shocking new supernatural thriller on a detour into terror.
by
Deirdre Crimmins
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