• Fantasia International Film Festival

Fantasia ‘18 Review: “THE VANISHED” kicks it old school Hollywood with a throwback thriller

Starring Sang-kyung Kim, Kang-woo Kim, & Hee-ae Kim
Written and Directed by Chang-hee Lee
Sidus Corp.

Early warning: THE VANISHED is not a horror film. It has a fair share of tension and a good number of dead bodies, but the film is actually a throwback to the older cinematic tradition of twisty thrillers and neatly packaged vengeance.

A South Korean production, based on the 2012 Spanish film THE BODY, THE VANISHED is a thriller that starts after all of the bodies are cold, when the corpse of wealthy business woman Yoon Sul-Hee (Hee-ae Kim)  goes missing from the morgue. Broken surveillance cameras and a bludgeoned security guard only make this case that much more interesting to police detectives. Jung-sik (Sang-kyung Kim) gives his best Columbo impression with unassuming air, all while being observant and sharp. He brings in the deceased’s younger widower, Park Jin-han (Kang-woo Kim), to question him and, to no one’s surprise, finds that he has been having an affair with one of his students. The stage is set for accusations, motivations, and enough money to make it all interesting.

Anyone expecting THE VANISHED to excel in action or jump scares will be disappointed. Rather, the majority of the film’s running time occurs during a series of interrogations between the detective and the widower, and the corresponding flashbacks that illustrate the story. The actors are not given a lot to do in terms of depth, as their motives are clear and their backstories taut. But the journey that the film takes us on, through affairs and pharmaceutical developments, is a helluva ride.

In a homage to early days of Hollywood thrillers like MILDRED PIERCE and LES DIABOLIQUES, THE VANISHED asked the audience to lean in a little closer, and to not forget a single detail revealed on screen.  Every character’s reactions count in the plot, and no paper scrap tossed or car bumper bumped is without implication. It pays to pay attention, though the film does make sure to return to the more important details as the detective pieces the puzzle together.

Along those same lines, with every detail being important, the conclusion of THE VANISHED is wrapped up quite neatly. There is no superfluous detail and no single nugget of evidence that does not refer back to another part of the movie. For viewers who prefer their thrillers a little messy, they might be frustrated at the sleek style and clean plot. But those who have an affection for cinematic thrillers that keep us guessing right up to the very last minute, THE VANISHED is a perfect day at the movies.

Read More

Get The Grim Reader.
Rue Morgue's free newsletter.
Editor's notes.
Cultural insight.
Curated horror across film, books, music, and art.
First looks.
Select previews.
No algorithms.
Join Free

Advertisement

In Print Since 1997

Issue 231

Rue Morgue #231 Jul/Aug 2026

Plus

Inside Rue Morgue #231 – Summer Slasher Issue FEATURES Filmmaker Jane Schoenbrun’s TEENAGE SEX AND DEATH AT CAMP MIASMA guts the slasher formula from the inside out, turning it into a romance about the horror of becoming who you were always meant to be. Plus! GILLIAN ANDERSON and HANNAH EINBINDER unpack Schoenbrun’s radical dismemberment of…

Issue 230

Rue Morgue #230 May/Jun 2026 – RARE

Plus

Inside Rue Morgue #230 FEATURES Filmmaker Curry Barker transforms a simple wish into a spiralling nightmare of love, possession, and bloodshed in his breakout feature OBSESSION. Plus: The story of Barker’s found-footage shocker MILK & SERIAL, which turned a micro-budget experiment into a viral horror breakout. Hollywood made it a monster. History tells a different…

Issue 229

Rue Morgue #229 Mar/Apr 2026

Plus

Inside Rue Morgue #229! FEATURES A nerve-shredding found-footage thriller built around sound, UNDERTONE signals the arrival of a terrifying new voice in Canada’s booming independent horror scene. Plus! Meet the new breed of independent Canadian horror filmmakers behind DREAM EATER, SWEETNESS, HANGASHORE, THE LAND OF NOD and THE CURSE OF GHOST ISLAND. Part post-punk, part…

Issue 228

Rue Morgue #228 Jan/Feb 2026

Plus

Inside Rue Morgue #228! FEATURES He fascinated audiences in 2001 with the French period martial arts horror film BROTHERHOOD OF THE WOLF. Then he followed it up in 2006 by bringing the eerie world of SILENT HILL to cinematic life. Now, visionary director CHRISTOPHE GANS unleashes his latest nightmare with RETURN TO SILENT HILL. Plus!…