Opens in a new tab
  • Comics
  • News

Oni Press Announces Horror Western “The Father, The Son, and the Holy Ghost Mine”

Oni Press revealed today a new three issue prestige format series from Eisner Award nominated writer Tyler Crook and artist Emily Schnall, sending two desperate teenagers into a Nevada Territory mine that is hiding something considerably worse than a disappointing ore yield. The Father, The Son, and the Holy Ghost Mine #1 lands in comic shops on February 3, 2027.

Set on the Western frontier in the mid 1800s, the story follows runaway orphans Buck and Toby, who leave behind the walls of the institution where they became brothers to chase their fortune at the Holy Ghost Mine, a silver stake deep in the Nevada hills. The dig is run by the eager but inexperienced Henry Gaines, acting on behalf of his father Harlan, who claims to have perfected a technique for extracting unusually pure silver. When the crew arrives at a mining camp sitting in the middle of a vast salt flat, they instead find empty barracks, a dead mine shaft, and a frantic Harlan desperate to send them away before it is too late.

“The Father, The Son, and the Holy Ghost Mine started with a simple question: what if, instead of selling your soul to the Devil, you found a way to sell other people’s souls?” Crook said in the announcement. “From there the story evolved to become an exploration of friendship, family and ambition.” Schnall, describing the book’s look, said she aimed to capture “the awe of all these vast, wild landscapes” along with “equal parts hopeful adventure and dread going into the Holy Ghost Mine.”

Oni Press is billing the three issue limited series, extra sized with 30 story pages per chapter, as a meeting point between the grim frontier of There Will Be Blood and the demonic bargain at the centre of The Tragical History of Doctor Faustus. Each cardstock covered issue will also include backmatter with process art and historical reference material. Covers are credited to Crook, Schnall, Anand RK and Noah Bailey, with a silver foil variant by Crook priced separately. Issue one carries a cover price of $6.99 for 40 pages.

No preview art had surfaced publicly as of this writing, so the eerie, salt flat dread Schnall describes will have to stay a matter of imagination until Oni Press shares pages closer to release.

Read More

Get The Grim Reader.
Rue Morgue's free newsletter.
Editor's notes.
Cultural insight.
Curated horror across film, books, music, and art.
First looks.
Select previews.
No algorithms.
Join Free

Advertisement

In Print Since 1997

Issue 233

#233 God-Fearing Yuletide Issue

Plus

Frailty | Haunted Holiday Gift Guide | Hammer of the Witches FEATURES Bill Paxton’s Frailty turns 25: a portrait of righteous violence that has never felt more current, and a haunting testament to the director he was only beginning to become. Plus: How a single note from James Cameron turned Frailty inside out, and a…

Issue 232

#232 Halloween 2026

Plus

Resident Evil | Designing Dracula | Exorcist II FEATURES How Weapons director Zach Cregger turned a lifelong obsession with Resident Evil into horror’s most anticipated reboot. Plus: A deep look at the Resident Evil video game franchise and its universe of novelizations, board and card games and more, and a look at Cregger’s long-awaited physical…

Issue 231

#231 Summer Slasher Issue 2026

Plus

Inside Rue Morgue #231 – Summer Slasher Issue FEATURES Filmmaker Jane Schoenbrun’s TEENAGE SEX AND DEATH AT CAMP MIASMA guts the slasher formula from the inside out, turning it into a romance about the horror of becoming who you were always meant to be. Plus! GILLIAN ANDERSON and HANNAH EINBINDER unpack Schoenbrun’s radical dismemberment of…

Issue 230

#230 May/Jun 2026 – RARE

Plus

Inside Rue Morgue #230 FEATURES Filmmaker Curry Barker transforms a simple wish into a spiralling nightmare of love, possession, and bloodshed in his breakout feature OBSESSION. Plus: The story of Barker’s found-footage shocker MILK & SERIAL, which turned a micro-budget experiment into a viral horror breakout. Hollywood made it a monster. History tells a different…