• News

Director Corin Hardy previews “CONJURING” spinoff film “THE NUN”

With ANNABELLE: CREATION on its way to outgrossing its predecessor, another chapter in the CONJURING backstory will be told in THE NUN (which is teased at the very end of CREATION) next summer. Director Corin Hardy (THE HALLOW) showed a short but chilling preview scene from THE NUN at London’s FrightFest over the weekend, and said a few words about the film.

Hardy is currently a month into postproduction on THE NUN, which will be released by New Line Cinema/Warner Bros. on Friday, July 13, 2018. THE HALLOW opened in the UK on November 13, 2015, and Hardy says, “Friday the 13th is my lucky day!” His NUN odyssey began early this year: “They sent me the script, and I had some movies I had been developing myself and was looking to make, and initially I wondered what THE NUN was going to be about. I can’t really tell you right now, but it was an exciting script to read. It’s set in Romania in the ’50s, which was a really cool world to explore with this kind of film; it had a little bit of an adventure to it.”

The screenplay, by the ANNABELLE films’ Gary Dauberman (from a story by Dauberman and CONJURING director James Wan), takes place in a Romanian monastery where Sister Irene (Taissa Farmiga of THE FINAL GIRLS) is confronted by the demonic nun that previously menaced Lorraine Warren (played by Farmiga’s sister Vera) in THE CONJURING 2. Despite her family connection to the saga, Taissa’s casting wasn’t an automatic decision. “I’d love to say it was,” Hardy says, “but honestly, I probably wasn’t going to cast her, because she was Vera’s sister, in order for it to not look as convenient as that. But she was so good in her auditions; I looked at 100 actresses for this role, and Taissa has some kind of presence outside of her own body.

“So I was really pleased to get her, and also Demián Bichir; in THE HATEFUL EIGHT, he plays Mexican Bob, who gets his face blown off. We’ve got also Jonas Bloquet, who’s in Paul Verhoeven’s movie ELLE and is fantastic, and a great supporting cast of British actors and Romanians and Italians and Americans—a real mixture.”

Bonnie Aarons returns from THE CONJURING 2 in the title role, and the film shot on location in Transylvania. “It’s a world of castles and relics and crumbling churches and old villages,” Hardy says, “so it has a really timeless feel about it. It was nice to get a film that was set in a place that we could go to to shoot in, because a lot of the time, it’s set somewhere and you have to go [to another location] where the tax breaks are and make it work that way. It was a real experience; I went there almost straightaway after getting the job to look for locations, and then we were shooting it 10 weeks later.” Look for more on THE NUN at this site as it nears release!

Read More

Get The Grim Reader.
Rue Morgue's free newsletter.
Editor's notes.
Cultural insight.
Curated horror across film, books, music, and art.
First looks.
Select previews.
No algorithms.
Join Free

Advertisement

In Print Since 1997

Issue 232

#232 Halloween 2026

Plus

Resident Evil | Designing Dracula | Exorcist II FEATURES How Weapons director Zach Cregger turned a lifelong obsession with Resident Evil into horror’s most anticipated reboot. Plus: A deep look at the Resident Evil video game franchise and its universe of novelizations, board and card games and more, and a look at Cregger’s long-awaited physical…

Issue 231

Rue Morgue #231 Jul/Aug 2026

Plus

Inside Rue Morgue #231 – Summer Slasher Issue FEATURES Filmmaker Jane Schoenbrun’s TEENAGE SEX AND DEATH AT CAMP MIASMA guts the slasher formula from the inside out, turning it into a romance about the horror of becoming who you were always meant to be. Plus! GILLIAN ANDERSON and HANNAH EINBINDER unpack Schoenbrun’s radical dismemberment of…

Issue 230

Rue Morgue #230 May/Jun 2026 – RARE

Plus

Inside Rue Morgue #230 FEATURES Filmmaker Curry Barker transforms a simple wish into a spiralling nightmare of love, possession, and bloodshed in his breakout feature OBSESSION. Plus: The story of Barker’s found-footage shocker MILK & SERIAL, which turned a micro-budget experiment into a viral horror breakout. Hollywood made it a monster. History tells a different…

Issue 229

Rue Morgue #229 Mar/Apr 2026

Plus

Inside Rue Morgue #229! FEATURES A nerve-shredding found-footage thriller built around sound, UNDERTONE signals the arrival of a terrifying new voice in Canada’s booming independent horror scene. Plus! Meet the new breed of independent Canadian horror filmmakers behind DREAM EATER, SWEETNESS, HANGASHORE, THE LAND OF NOD and THE CURSE OF GHOST ISLAND. Part post-punk, part…